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In ''Domestic Flight'', the viewer is not confronted with traces of what has been. Rather, each scene allows us a glimpse into the action of the story Camille Picquot is unfolding. Released of its burden of proof, photography can now fully be applied to its new purpose: to visually narrate and suggest a fictional story. In her artistic work, Picquot is equally at ease with photography as she is with film. Applying and mixing common practices of these media, she never places one above the other, but rather reinforces them both. In ''Domestic Flight'', Picquot does not shy away from adding a playful cameo of herself in the series, possibly hinting at Alfred Hitchcock's famous appearances. (Rein Deslé)

fotografie --- eenentwintigste eeuw --- Picquot Camille --- 77.071 PICQUOT --- 761.2 fotografen afzonderlijk --- Frankrijk --- 21e eeuw (eenentwintigste eeuw) --- experimentele fotografie --- stillevens --- Exhibitions --- Photography --- fotoboeken --- Picquot, Camille

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What She Said' takes its title from a song by The Smiths: "What she said was sad / But then, all the rejection she's had / To pretend to be happy / Could only be idiocy." The work originates in portraits Deanna Templeton made on the streets of the US, Europe, Australia and Russia, in which she captured women in their adolescence: punks and outcasts whose ripped jeans and tights, tattoos, and hairstyles stand as testament to this transitional moment in their lives as they navigate the intensity of teenage life. Templeton grew up in an ostensibly different environment in 1980s youth, but she recognised in them something of the universality of female adolescence, as they struggled with similar disappointments and challenges she encountered as a young woman. The book combines these modern portraits with gig flyers and Templeton's own teenage journal entries from the mid to late 80s, in which the familiar experience of growing up is laid bare in all its antagonism, humour and pathos.

fotografie --- portretfotografie --- documentaire fotografie --- vrouwen --- meisjes --- eenentwintigste eeuw --- Verenigde Staten --- Templeton Deanna --- 77.071 TEMPLETON --- Templeton, Deanna --- 761.2 --- 21e eeuw (eenentwintigste eeuw) --- Verenigde Staten van Amerika --- straatfotografie --- fotografen, afzonderlijk

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Marianne Berenhaut’s (1934, Brussels) diverse practice refuses to be pigeonholed. It expands in all directions, spanning at times tragic, romantic lyricism, critical feminist edge, dada humour, and imaginative juxtapositions worthy of surrealism… and it keeps changing. Through a curious combination of exhibition images, previously unpublished archival material, and newly-commissioned essays, this book offers a glimpse into the many lives of Marianne Berenhaut’s works. It departs from the specific context of her solo exhibition ‘Mine de rien‘ at CIAP and C-mine in Genk, at the turn of 2021 and 2022, to arrive at different times and places. Whether touring with a theatre group, partaking in a feminist assembly, or turning up in a public park, her works have always been close to daily life, as if coming back to the very places they originated from. The exibition Mine de rien at CIAP and C-mine in Genk (23.10.2021-16.01.2022) De tentoonstelling Mine de rien in CIAp en C_mine in Genk (23.10.2021-16.01.2022) l'exposition Mine de rien au CIAP et C_mine à Genk (23.10.2021-16.01.2022)

kunst --- 7.071 BERENHAUT --- Berenhaut Marianne --- België --- installaties --- beeldhouwkunst --- assemblages --- assemblage --- twintigste eeuw --- eenentwintigste eeuw --- 705.9 --- kunstenaars --- 20e eeuw (twintigste eeuw) --- 21e eeuw (eenentwintigste eeuw) --- Beeldende kunst --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Berenhaut, Marianne

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Dardenne, Luc --- Dardenne, Jean-Pierre --- film --- België --- twintigste eeuw --- eenentwintigste eeuw --- Dardenne Jean-Pierre --- Dardenne Luc --- 791.471 DARDENNE --- 798.53 --- 798.42 --- regisseurs --- filmgeschiedenis --- sociaal realisme --- realisme --- 20e eeuw (twintigste eeuw) --- 21e eeuw (eenentwintigste eeuw) --- film, cineasten --- film, geschiedenis der filmkunst, België

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"Medienkunst ist zwar eine erst wenige Jahrzehnte junge Kunstgattung, aber ihre Erhaltung stellt schon heute Kuratoren und Restauratoren vor enorme Herausforderungen. Wie lassen sich Medienkunstinstallationen für die Zukunft sichern? Das Buch führt in theoretische und praktische Herangehensweisen ein und hilft nachhaltige Konzepte zu entwickeln."

Installations (Art) --- New media art --- Art --- 705.81 --- 700.3 --- videokunst --- installaties --- Conserveren --- conservatie --- restauratie --- kunst ; 20e eeuw --- kunst ; 21e eeuw --- tentoonstellingsopbouw --- Sieverding, Katharina --- Hill, Gary --- Seaman, Bill --- Studio Azzurro --- Installation art --- Art, Modern --- Environment (Art) --- Arts, Modern --- Conservation and restoration --- kunstgeschiedenis, videokunst --- restauratie; algemeen --- 20e eeuw (twintigste eeuw) --- 21e eeuw (eenentwintigste eeuw)